Donald Jay Grout, Claude Victor Palisca / People's Music Publishing House /September 1, 2010
"History of Western Music" is a classic work co-authored by American scholars Donald J. Grout and Claude Palisca. The book introduces the development of Western music in a comprehensive and systematic way in an easy-to-understand way. The sixth edition of this book was carefully translated by Yu Zhigang, and the ISBN number is 9787103034088. The book covers Western music styles, genres, composers and their works from ancient times to modern times, integrating rich historical background and cultural connotations. Through this book, readers can understand the important periods in the history of Western music, representative figures and their contributions to the development of music. This book is not only suitable for music students and researchers, but also an ideal reading for music lovers. It helps readers broaden their musical horizons, improve their musical literacy, and deeply appreciate the charm of Western music.
History of Western MusicPart I: Western Music in Ancient and Medieval TimesChapter 1: The Origin and Early Development of MusicKey Points: - Origin of Music: It is speculated that it originated from human imitation of sounds and rhythms in nature. - Early Forms: Simple melodies and rhythms gradually developed into complex musical structures. - Notation: The earliest notation was used to record melodies and rhythms. Chapter 2: Music in Ancient Greece and RomeKey Points: - Music Theory: Ancient Greece developed a systematic music theory, including scales and harmony. - Tragedy and Music: Music played an important role in ancient Greek tragedies. - Roman Influence: Ancient Roman music was deeply influenced by Greece, but also had its own characteristics. Chapter 3: Early Christian MusicKey Points: - Gregorian Chant: Monophonic, unaccompanied religious music. - Ceremony Music: Music became an important part of Christian ceremonies. - Music Practice: Monks in monasteries played a key role in music creation and dissemination. Chapter 4: Music of the Early Middle Ages (500-1000) Key Points: - Church Music: Gregorian chant and other types of religious music continued to develop. - Secular Music: Bards and court singers popularized secular music. - Music Theory: Music theorists such as Hucbald contributed to music theory. Chapter 5: Music of the High Middle Ages (c. 1100-1300) Key Points: - Polyphonic Music: Two- and three-part music was born. - School of Notre Dame: School of music composition centered on Notre Dame de Paris. - New Notation: A more precise system of musical notation emerged. Part II: Western Music of the Renaissance and BaroqueChapter 6: European Music of the 15th CenturyKey Points: - Burgundian School: Group of composers centered in the Burgundy region. - Counterpoint: Composers began to use counterpoint techniques in a more complex way. - Secular Music: The emergence of forms such as the Frotola and the Madrigal. Chapter 7: The Renaissance (c. 1430-1600) Key Points: - Humanism: Music began to reflect a broader humanist spirit. - Reformation: The musical practices of the Reformation, such as Martin Luther&39;s hymns. - Italian Madrigals: Italian composers created emotionally rich secular songs. Chapter 8: The Baroque Period (c. 1600-1750) Key Points: - The Birth of Opera: Opera emerged in Italy as a new art form. - Bach and Handel: The musical achievements of these two greats and their musical styles. - Instrumental Music: The rise of instrumental works such as concertos and suites. Part III: Classical and Romantic Western MusicChapter 9: European Music in the 18th CenturyKey Points: - Evolution of Style: Diversity of music and shifts in style. - Symphony: Works of composers of the Viennese Classical School such as Haydn and Mozart. - Keyboard Music: Developments such as the sonata and the variation. Chapter 10: Romanticism in the Early 19th CenturyKey Points: - Individualized Expression: Composers sought expression of personal emotions. - Nationalism: Music reflected the characteristics of national culture. - Symphonic Poem: New forms developed by Liszt and other composers. Chapter 11: High Romanticism (c. 1850-1900) Key Points: - Musical Innovation: Wagner&39;s musical drama and Debussy&39;s impressionism. - Piano Music: Works by Chopin and Brahms, among others. - Orchestral Music: Symphonic works by Berlioz and Tchaikovsky.
For the book "History of Western Music", I have selected the following sentences or paragraphs for you. These sentences or paragraphs embody profound meaning, unique perspective, beautiful language, wisdom or creativity. They are numbered and output as required: 1. Music is not only the art of sound, but also the art of time. ** - This sentence profoundly summarizes the dual nature of music, emphasizing both its auditory beauty and its development and change in the dimension of time. 2. Ancient Greek music theory laid the foundation for the development of Western music. ** - This sentence succinctly points out the important position of ancient Greek music theory in the history of Western music. 3. Medieval musicians, under the constraints of religion, still created melodies full of humanity. ** - This sentence shows the brilliance of humanity of medieval musicians under religious restrictions, and reflects the universality and profundity of music creation. 4. The music of the Renaissance, like the painting and literature of the period, pursues nature and harmony. ** - By analogy with other art forms of the Renaissance, this sentence highlights the aesthetic pursuit of music in that period. 5. The gorgeousness and complexity of the Baroque music style reflect the spiritual outlook of that era. ** - This sentence reveals the close connection between Baroque music and the social culture of the time. 6. Classical music pursues the perfect unity of form and content and becomes a model for music in later generations. ** - This sentence highly evaluates the status and influence of classical music in the history of Western music. 7. The works of romantic musicians are a true reflection of their inner world, full of emotions and imagination. ** - This sentence emphasizes the subjectivity and emotional expression of romantic music. 8. National music musicians use musical language to depict the soul and scenery of their own nation. ** - This sentence shows the love and expression of national music musicians for national culture. 9. Impressionist music is like impressionist painting, pursuing the instantaneous impression of color and light and shadow. ** - Through the analogy with impressionist painting, this sentence vividly describes the characteristics of impressionist music. 10. Modern music breaks the shackles of tradition and explores the infinite possibilities of music. ** - This sentence reflects the subversion of tradition and the spirit of exploration of new fields by modern music. 11. Jazz is a unique product of American culture. It combines African and European musical elements to create a brand new musical style. ** - This sentence emphasizes the cultural integration and innovation of jazz. 12. Rock music is not only a musical style, but also a rebellious spirit and cultural phenomenon. ** - This sentence reveals the deep social and cultural connotation of rock music. 13. Electronic music uses scientific and technological means to expand the expressiveness and creative space of music. ** - This sentence reflects the close connection between electronic music and the development of science and technology and its influence on music creation. 14. Every style change in the history of music is a re-evaluation of past traditions and an exploration of future directions. ** - This sentence profoundly explains the historical significance of the change of musical styles. 15. The personal experience and emotions of musicians often become the source of their creative inspiration. ** - This sentence emphasizes the importance of the personal experience and emotions of musicians in their creation. 16. The value of a piece of music lies not only in its melody and harmony, but also in the thoughts and emotions it conveys. ** - This sentence comprehensively evaluates the artistic value of a piece of music. 17. Music transcends the barriers of language and culture and becomes a spiritual wealth shared by mankind. ** - This sentence reflects the universality of music and the commonality of human culture. 18. In the history of music, those musicians who are innovative and dare to challenge often become pioneers of the times. ** - This sentence praises the status and role of musicians with innovative spirit in the history of music. 19. The power of music lies in its ability to touch people's hearts and arouse people's resonance and emotional response. ** - This sentence emphasizes the unique role of music in emotional expression and communication. 20. The history of Western music is not only a history of the evolution of musical styles, but also a history of the development of human culture and spirit. ** - This sentence summarizes the profound significance of the history of Western music and elevates it to the height of human cultural and spiritual development.
Donald Jay Grout and Claude Victor Palisca are two famous musicologists who co-authored the popular textbook "History of Western Music".
Here are some detailed information about the two authors: 1.
Basic Personal Information: - Donald Jay Grout (1922-2006): Born in Ohio, USA, he is an internationally renowned musicologist and educator.
Education and Career Background: - Grout received a degree in music theory and composition from Indiana University and a doctorate from Princeton University.< He has taught at Indiana University and Cornell University.
3.
Writing Career: - Grout and Palisca's writing careers are mainly academic research and education.< Their History of Western Music has become a classic textbook in the field of musicology since it was first published in 1960.
4.
Style and Themes of Works: - Their works are known for their rigorous academic research and clear narrative style.< History of Western Music covers the development of music from the Middle Ages to the 20th century, emphasizing the connection between music and social, cultural, and political contexts.
5.
Personal Life: - Grout and Palisca's personal lives are relatively low-key, and most of their time and energy are devoted to the research and teaching of musicology.< 6.
Social Influence: - Their work has had a profound impact on the field of musicology, especially in the teaching and research methods of music history.< Their works are widely used as university textbooks, influencing generations of music scholars.
7.
Citations and Evaluations: - Evaluations by Authoritative Media, Experts, and Institutions: - The New York Times once described Grout as a "giant in the field of musicology.< " - The Music Quarterly said that Palisca's work "has promoted the development of the field of musicology.
" 8.
Latest Updates: - Although both authors have passed away, their work continues to be reprinted and updated.< The latest edition of A History of Western Music maintains the original academic rigor while also incorporating new research findings and perspectives.
Overall, Donald Jay Grout and Claude Victor Palisca are outstanding representatives in the field of musicology.< Their A History of Western Music is not only a must-read book for musicology students, but also provides a valuable resource for a wide range of readers to gain a deeper understanding of the development of Western music.
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