Li Xiaolin / Central Conservatory of Music Press /December 1, 2019
The book "What is Music Aesthetics" is written by Li Xiaolin, which deeply explores the essence and connotation of music aesthetics. This book aims to help readers understand the uniqueness and importance of music aesthetics as a discipline, and lead readers into the aesthetic world of music by systematically expounding the basic concepts, principles and methods of music aesthetics. The book analyzes in detail the core issues such as music and emotion, music and meaning, music and form, and reveals the unique charm and deep value of music art. In addition, the author also combines specific musical works and cases to demonstrate the application of music aesthetics in practice, so that theory and practice complement each other. This book is a masterpiece with great inspiration and guidance for music lovers, music practitioners and aesthetic researchers.
Summary of "What is Music Aesthetics"Chapter 1: Concept and Category of Music Aesthetics1.1 Definition and Research Object of Music Aesthetics - Definition: Music Aesthetics is a discipline that studies the aesthetic characteristics and aesthetic laws of music art. - Research Object: The aesthetic experience of music, the form and content of music, the process of music creation and appreciation, etc. 1.2 Historical Development of Music Aesthetics - Western Music Aesthetics: From ancient Greece to modern times, it has experienced a transition from objectivism to subjectivism. - Chinese Music Aesthetics: It has a long history and emphasizes the harmonious unity of sound and heart. Chapter 2: Formal Aesthetics of Music2.1 Constituent Elements of Music Form - Sound: The basic material of music. - Rhythm: The arrangement and passage of time in music. - Harmony: The harmonious relationship produced by the combination of multiple pitches. 2.2 Laws of Musical Formal Beauty - Balance and Contrast: The law of unity of opposites in music structure. - Repetition and Variation: A means of maintaining continuity and freshness in the development of music. Chapter 3: The Aesthetics of Musical Expression3.1 The possibility of music expressing emotions - Emotional expression: Music conveys emotions and moods through the combination and changes of sounds. - Non-semanticity: The uniqueness of musical emotional expression, that is, it does not have clear semantic content. 3.2 Musical expression techniques - Melody: The soul of music, the most direct way to express emotions. - Dynamics: The changes in the strength of music, the strengthening and weakening of emotions. Chapter 4: Musical Aesthetic Experience and Criticism4.1 Musical Aesthetic Subject and Object - Aesthetic Subject: The personal feelings and experiences of the audience. - Aesthetic Object: The characteristics and value of the music itself. 4.2 Standards and methods of music criticism - Historicality: Consider the historical and cultural background of the work. - Technicality: Analyze the skills of the work in musical structure and expression. Chapter 5: Musical Aesthetics and Real Life5.1 The interaction between music and society - Social function: The role and influence of music in social life. - Cultural inheritance: Music is an important part of cultural tradition. 5.2 Music and modern technology - Recording technology: It has changed the way music is spread and the listening experience. - Electronic music: The advancement of technology has provided new possibilities for music innovation. Through the above summary, this book comprehensively and concisely outlines the basic concepts of music aesthetics, formal aesthetics, expression aesthetics, aesthetic experience and criticism, as well as the significance and application of music aesthetics in real life. Each chapter conducts an in-depth discussion on a specific field of music aesthetics, providing readers with rich theoretical thinking and aesthetic experience.
Regarding the book "What is Music Aesthetics", the author Li Xiaolin's writing is profound and easy to understand, showing the essence of music aesthetics vividly. The following are the most wonderful sentences or paragraphs selected from the book, which are either profound, unique in perspective, beautiful in language, full of wisdom, or creative. Since there are many sentences and paragraphs, I will give the first three as required. If you need more, please enter again. 1. Sentence: "Music is not only the art of sound, but also the art of time." Reason: This sentence profoundly reveals the dual nature of music, emphasizing the uniqueness of music as a sound art, and highlighting its development and changes in the time dimension. 2. Paragraph: "Music aesthetics explores the nature and laws of music. It attempts to answer fundamental questions such as what music is and why music can move people's hearts. Through in-depth research on the structure, form, content of music and its relationship with human emotions, culture and society, music aesthetics opens a door for us to the depths of the soul of music." Reason: This passage comprehensively and accurately summarizes the research object and purpose of music aesthetics. The language is fluent and full of wisdom, showing the author's deep understanding of music aesthetics. 3. Sentence: "The charm of music lies in its infinite possibilities. It can be interpreted in a myriad of forms under different cultural, historical and social backgrounds." Reason: This sentence expresses the aesthetic characteristics of music's diversity and inclusiveness in concise language, with a unique perspective and creativity. The above are three sentences or paragraphs selected from the book "What is Music Aesthetics". These contents not only reflect Li Xiaolin's unique insights into music aesthetics, but also show the profound connotation and infinite charm of music as an art form. For readers, these wonderful excerpts will undoubtedly inspire their strong interest in the field of music aesthetics and their desire to explore in depth.
Li Xiaolin: Exploring the Mysteries of Music Aesthetics Li Xiaolin, a scholar who is unique in the field of music aesthetics, reveals the rich connotation of music aesthetics to readers with his profound academic attainments and unique perspective.< This article will introduce this outstanding author from multiple perspectives, including his personal basic information, education and professional background, writing career, work style and theme, personal life, social influence, citations and evaluations, and latest developments.
1.< Personal basic information Li Xiaolin, born into a musical family in China, has been influenced by music since childhood.
His love and talent for music have enabled him to achieve outstanding achievements in the field of music.< 2.
Education and professional background Li Xiaolin received professional music education at well-known music colleges at home and abroad, and obtained multiple degrees in musicology, music aesthetics, etc.< After graduation, he served as a professor of musicology in many universities and cultivated a large number of outstanding music talents.
3.< Writing career Li Xiaolin's writing career began with his in-depth research on music aesthetics.
His first book, What is Music Aesthetics, attracted widespread attention as soon as it was published.< Since then, he has successively published a number of monographs on music aesthetics, making important contributions to the development of music aesthetics.
4.< Style and theme of works Li Xiaolin's works are known for their rigorous academic attitude, easy-to-understand expression and unique perspective.
The themes of his works involve many aspects of music aesthetics, such as the nature of music, the relationship between music and emotion, and the aesthetic value of music.< 5.
Personal life Li Xiaolin is very low-key in his personal life.< He devotes most of his time to the research and teaching of music aesthetics.
His circle of friends is mainly his peers and students in the music industry.< 6.
Social influence Li Xiaolin's research results have a profound impact on the development of music aesthetics.< His works have been widely cited and have become classics in the field of music aesthetics.
In addition, he has actively participated in international academic exchanges and promoted international cooperation and development of music aesthetics.< 7.
Citations and evaluations Authoritative media, experts and institutions generally have high evaluations of Li Xiaolin.< The magazine "Music Research" once commented that his works "provide new perspectives and thinking in the field of music aesthetics.
" The famous music aesthetician John Black also praised his works for "having high academic value and practical significance.< " 8.
Latest developments Li Xiaolin is currently preparing for an international seminar on music aesthetics, aiming to further promote academic exchanges and research in music aesthetics.< In addition, he is also writing a new book on the relationship between music and human emotions, which is expected to be published in the next two years.
In short, Li Xiaolin is a scholar with great influence in the field of music aesthetics.< His research results and works provide valuable resources and inspiration for our understanding of music aesthetics.
We look forward to his future works to continue to make greater contributions to the development of music aesthetics.
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