Book Summary of "Term Review: Narrative Rhetoric in Fiction and Film"Chapter 1: Terms and Concepts of Narratology1.1 Definition and Scope of Narratology - Definition: The science of studying narrative, narrative structure and narrativity. - Scope: Includes literature (especially novels), film, drama, painting, etc. 1.2 Basic Elements of Narrative - Narrator: The person or institution that tells the story. - Narrator: The target recipient of the narrative information. - Story: The raw material of the narrative, a series of events. - Text: The form of presentation of the narrative, which can be written, oral or visual. Chapter 2: Narrative Rhetoric in Fiction2.1 Definition and Function of Rhetoric - Definition: The use of artistic techniques of language to enhance the expression effect. - Function: Shape the authenticity of the story and guide the reader&39;s emotions and judgments. 2.2 Perspective and Focus - Omniscient Perspective: The narrator knows everything. - Inner Perspective: The narrative sees the world through the eyes of the characters. - External perspective: Only shows the external behavior of the characters. 2.3 Sequence and temporality - Flashback: The order of events in the narrative is opposite to the order in which they occur. - Pre-narrative: Reveal future events in advance. - Juxtaposition and interlacing: Narrating events in different time periods at the same time. Chapter 3: Film Narratology3.1 Film as a narrative medium - Visual narrative: The language of the lens conveys information. - Sound narrative: The narrative function of dialogue, music and sound effects. 3.2 Montage and long shot - Montage: Create meaning through editing. - Long shot: Maintain the continuity of time and space. 3.3 Camera perspective and movement - Subjective lens: Simulate the visual experience of the characters. - Objective lens: The camera acts as a neutral observer. - Tracking lens: Moves with the movement of the moving object. Chapter 4: Application of Narratology in Different Cultural Contexts4.1 Comparison of Narratives across Media - Adaptation from Novels to Films: How to Maintain the Core Elements of Narratives. - Differences in Narrative Styles between the East and the West: Comparison of Linear and Non-Linear Narratives. 4.2 Application of Narratology in Digital New Media - Interactive Narrative: Audience Participation and Influence of Narrative Process. - Virtual Reality Narrative: Immersive Experience and Spatial Narrative. 4.3 Narrative and Social Cultural Criticism - Ideological Criticism: Analyzing the Social Consciousness Behind the Narrative Plot. - Feminist Narratology: Exploring Gender Roles and Cultural Expressions. Through the above summary, we can see that the book "Terminology Review: Narrative Rhetoric in Novels and Films" covers the core concepts of narratology, different means of narrative rhetoric in novels and films, and the development and application of narratology in a multicultural context. Seymour Chatman deeply analyzes the application of narratology in different art forms and cultures, providing us with rich perspectives and insights into understanding narrative works.

I have carefully selected the following sentences or paragraphs from "Terminology Review: Narrative Rhetoric in Novels and Films". These contents are either profound, unique, beautiful, wise, or creative, hoping to provide readers with some professional and fascinating perspectives. 1. On narrative structure "Narrative is not simply a list of events arranged in chronological order, but rather a way of organizing events into meaningful stories through a specific structure." 2. On the difference between novels and movies "Novels construct a world in the reader's mind through words, while movies present it directly in front of the audience's eyes through pictures and sounds." 3. The charm of language "The power of words in narrative lies not only in the information it conveys, but also in the imagination it inspires." 4. Visual and auditory narrative "Movies capture visual elements through the lens and convey auditory experiences through sound effects and dialogues, together constructing a multi-dimensional narrative space." 5. The role of the narrator "The narrator is not only the teller of the story, but also the shaper and interpreter of the story." 6. On the temporality of narrative "The temporality of narrative is not linear, but can be achieved through flashbacks and other techniques to interweave the past, present and future." 7. Emotion and narrative "Emotion is the soul of narrative, it gives life and appeal to the story." 8. The complementarity of novels and movies "Although novels and movies are different in form, they can learn from each other in terms of narrative and enrich the art of narrative together." 9. On the complexity of narrative "Narrative is not a single linear structure, but a complex network composed of multiple levels, multiple perspectives and multiple voices." 10. Audience and narrative "The audience is not only the recipient of the narrative, but also the participant and creator of the narrative." 11. On the authenticity of narrative "Narrative is not a simple imitation of reality, but a unique fictional world constructed through specific rhetorical means." 12. The fusion of text and pictures "In novels, words can depict delicate emotions that pictures cannot express; in movies, pictures can present visual shocks that words cannot achieve." 13. Narrative and memory "Narrative is an extension of memory. It helps us remember the past, understand the present, and imagine the future." 14. On the rhythm of narrative "The rhythm of narrative is like the melody of music. Fast and slow, high and low, strong and weak are intertwined to form the rhythm of the story." 15. The power of details "In narrative, details often determine the success or failure of a story. A vivid detail can bring the whole story to life." 16. On the innovation of narrative "The art of narrative needs to constantly innovate, break old conventions, and explore new ways of expression and narrative techniques." 17. Narrative and culture "Narrative is an important carrier of culture. It reflects the values, beliefs and customs of a society." 18. On the universality of narrative "Although the form and content of narratives vary greatly, behind them are common human emotions and experiences." 19. Narrative and life "Narrative is not only an artistic technique, but also a way of understanding the world and life." 20. On the future of narrative "With the development of science and technology, narrative art will usher in more possibilities. New technologies such as virtual reality and artificial intelligence will provide unlimited space for narrative creation." These sentences and paragraphs show the profound insights and unique charm of the book "Terminology Review: Narrative Rhetoric of Novels and Films". I hope it can provide some inspiration and thinking for readers.

Seymour Chatman is a famous American literary theorist, film theorist and professor, known for his research on narrative rhetoric and film narrative structure.

The following is a detailed introduction to Chatman: 1.

Personal basic information: Seymour Chatman was born in 1931 and died in 2015.< He is a Jewish American who has taught at many universities in the United States.

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Education and career background: Chatman received his doctorate from the University of California, Berkeley, and taught at well-known institutions such as Stanford University, the University of California, Berkeley, and New York University.< 3.

Writing career: Chatman's writing career began in the 1960s, and his works cover many fields of literary theory and film theory.

His representative works include "Terminology Criticism: Narrative Rhetoric in Fiction and Film" (1978), "Story and Discourse: Narrative Structure in Fiction and Film" (1978), etc.< 4.

Work style and theme: Chatman's works are known for their rigorous academic style and in-depth theoretical analysis.< He focuses on issues such as narrative structure, narrative perspective, and narrative time, trying to reveal the common laws of novel and film narratives.

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Personal life: There is little public information about Chatman's personal life.< However, his academic achievements and contributions to film theory have made him an authority in the field.

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Social influence: Chatman's theory has had a profound impact on subsequent film studies and literary studies.< His works have been widely cited and have become classic textbooks in the fields of film theory and narratology.

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Citations and evaluations: Chatman's academic achievements have been highly praised by authoritative media and experts.< The New York Times once praised him as a "pioneer in narrative theory," while the Los Angeles Times called him a "giant in film theory.

" 8.

Latest developments: Although Chatman passed away in 2015, his theories and works still have a lasting impact in the academic community.< Many scholars and researchers continue to cite and study his works to deepen their understanding of narrative rhetoric and film narrative structure.

In short, Seymour Chatman is a scholar with significant influence in the fields of literary theory and film theory.

His work "Terminology Criticism: Narrative Rhetoric in Novels and Films" provides valuable perspectives and methods for understanding novel and film narratives.